Govinda

The Radha Krsna Temple Album

The verses 30 and 32 from the Brahma-samita are sung in the morning Srngara Arati in all ISKCON temples, while the first track of the 1970 album “Radha Krsna Temple” is played. Srila Prabhupada enjoyed this track very much and was so moved that he said that this track will play at all ISKCON temples for the Srngara Arati. As a result, no one ever leads kirtan for this song, as it is played through that track.

Govinda
The Radha Krsna Temple Album
Sung by Yamuna devi
Produced by George Harrison

venum kvanantam aravinda-dalāyatāksam-
barhāvatamsam asitāmbuda-sundarāngam
kandarpa-koti-kamaniya-viśesa-śobham
govindam ādi-purusam tam aham bhajāmi

veṇum—the flute; kvaṇantam—playing; aravinda-dala—(like) lotus petals; āyata—blooming; akṣam—whose eyes; barha—a peacock’s feather; avataṁsam—whose ornament on the head; asita-ambuda—(tinged with the hue of) blue clouds; sundara—beautiful; aṅgam—whose figure; kandarpa—of Cupids; koṭi—millions; kamanīya—charming; viśeṣa—unique; śobham—whose loveliness; govindam—Govinda; ādi-puruṣam—the original person; tam—Him; aham—I; bhajāmi—worship.

I worship Govinda, the primeval Lord, who is adept in playing on His flute, with blooming eyes like lotus petals with head decked with peacock’s feather, with the figure of beauty tinged with the hue of blue clouds, and His unique loveliness charming millions of Cupids.

angāni yasya sakalendriya-vrtti-manti
paśyanti pānti kalayanti ciram jaganti
ānanda-cinmaya-sad-ujjvala-vigrahasya
govindam ādi-purusam tam aham bhajāmi

aṅgāni—the limbs; yasya—of whom; sakala-indriya—of all the organs; vṛtti-manti—possessing the functions; paśyanti—see; pānti—maintain; kalayanti—manifest; ciram—eternally,; jaganti—the universes; ānanda—bliss; cit—truth; maya—full of; sat—substantiality; ujjvala—full of dazzling splendor; vigrahasya—whose form; govindam—Govinda; ādi-puruṣam—the original person; tam—Him; aham—I; bhajāmi—worship.

I worship Govinda, the primeval Lord, whose transcendental form is full of bliss, truth, substantiality and is thus full of the most dazzling splendor. Each of the limbs of that transcendental figure possesses in Himself, the full-fledged functions of all the organs, and eternally sees, maintains and manifests the infinite universes, both spiritual and mundane.

Apple Records; The Radha Krsna Temple

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Srila Prabhupada On Chanting Hare Krishna

Srila Prabhupada chanting in park

Srila Prabhupada On Chanting Hare Krishna

As explained on the cover of the record album, this transcendental vibration– by chanting of Hare Krsna, Hare Krsna, Krsna Krsna, Hare Hare/ Hare Rama, Hare Rama, Rama Rama, Hare Hare– is the sublime method for reviving our Krsna consciousness. As living spiritual souls we are all originally Krsna conscious entities, but due to our asociation with matter since time immemorial, our consciousness is now poluted by material atmosphere. In this polluted concept of life, we are all trying to exploit the resources of material nature, but actually we are becoming more and more entangled in our complexities.

This illusion is called maya, or hard struggle for existence over the stringent laws of material nature. This illusory struggle against the material nature can at once be stopped by revival of our Krsna consciousness.

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