THE ESSENCE OF EVERYTHING IS THE SUPREME LORD

Sometimes when I am sitting and reading from Srila Prabhupada’s Srimad Bhagavatam, a verse or sentence from the purport just jumps out from the page almost like it is in 3D, and I catch a glimpse of what the Spiritual World must be like. It is beyond even my imagination, but sometimes I catch a glimmer of light, through a transcendental window, by the grace of my spiritual master His Divine Grace A. C. Bhaktivedanta Swami Prabhupada.

…The transcendental abode of the Lord where the trees are all desire trees and the buildings are made of touchstone. The Lord Govinda is engaged there in herding the surabhi cows as His natural occupation.

“I worship Govinda, the primeval Lord, the first progenitor who is tending the cows, yielding all desire, in abodes built with spiritual gems, surrounded by millions of purpose trees, always served with great reverence and affection by hundreds of thousands of lakṣmīs or gopīs.” (Bs 5.29)

…The Lord Govinda is engaged there in herding the surabhi cows as His natural occupation. And those who are artists, overtaken by the beautiful creation, should better see to the beautiful face of the Lord for complete satisfaction. The face of the Lord is the embodiment of beauty. What they call beautiful nature is but His smile, and what they call the sweet songs of the birds are but specimens of the whispering voice of the Lord.

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Nam Hatta: The Onus is On You

Nam Hatta: The Onus is On You

by Hansadutta dasa

In Chaitanya-charitamrita, Madhya-lila, Chapter Seven, Lord Chaitanya’s method of preaching and Prabhupada’s comments regarding the process of preaching Lord Chaitanya practiced while traveling throughout South India (a period of about two years) are very necessary for all devotees to study and understand clearly.

Because of the circumstances under which most of Prabhupada’s early disciples joined the movement, a widespread misunderstanding has become a great obstacle for people in general to accept and practice Krishna consciousness in a realistic and progressive way under all circumstances. That misunderstanding is that a serious candidate for accepting and advancing in Krishna consciousness must abandon his worldly environment and responsibilities to join a temple ashram and live a communal or communistic life style under the rigid authority of an ISKCON GBC or guru. Nothing could be further from the truth, as we can plainly understand from the following descriptions of Lord Chaitanya’s preaching method and Prabhupada’s purports, which clearly support and obviously encourage the process introduced by Lord Chaitanya in His dealing with the Kurma brahmana and everyone He encountered throughout His two years of traveling and preaching in South India.

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Natural Disasters: Adhidaivka

Every time we turn on the News, look at a Newspaper or open up our Web browser, we are bombarded with news of natural disasters; forest fires,flooding, hurricanes, tornadoes, and earthquakes. Some people blame it on climate change or global warming, others say it is a result of to much sinful activity. But whatever the cause, it is clear we are all in danger, and are all susceptible to the threefold miseries; miseries caused by the mind and body, miseries caused by other living entities, and miseries caused by natural disasters.

The following post deals with the threefold miseries and a spiritual approach to understanding “What am I, and why am I suffering from the threefold miseries?”

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Divine Ecstasies

Krsna & the cowheard boys taking Prasadam

Today, being Monday, and the start of another workday week, I wanted to focus my mind, not on all the work ahead, but rather, on some Krishna Nectar from Srila Prabhupada’s Srimad Bhagavatam. We share with you a few of Srila Prabhupada’s divine ecstasies. As we mentioned is a previous post, there are two kṛṣṇa-kathās; narrations spoken by Kṛṣṇa, and narrations spoken about Kṛṣṇa. Please note text 5 & 6 which is spoken by Krsna.

…devotees who have accepted the essence of life, are attached to Kṛṣṇa in the core of their hearts, and He is the aim of their lives. It is their nature to talk only of Kṛṣṇa at every moment, as if such topics were newer and newer.

Like the whorl of a lotus flower surrounded by its petals and leaves, Kṛṣṇa sat in the center, encircled by lines of His friends, who all looked very beautiful. Every one of them was trying to look forward toward Kṛṣṇa, thinking that Kṛṣṇa might look toward him. In this way they all enjoyed their lunch in the forest.

Among the cowherd boys, some placed their lunch on flowers, some on leaves, fruits, or bunches of leaves, some actually in their baskets, some on the bark of trees and some on rocks. This is what the children imagined to be their plates as they ate their lunch.

Srimad Bhagavatam
By His Divine Grace A. C. Bhaktivedanta Swami Prabhupada
Canto 10, Chapter 13, Text 1-12

Translations and purports

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The Year Long Lunch

The Year-Long Lunch

Excerpted from Back to Godhead Magazine 1977, Vol. 12, # 1

“Dear friends,” said Lord Krsna to the other cowherd boys, “Look at this wonderful place!” He’d brought them to the sun-dappled bank of the Yamuna River, after an adventurous morning in the pastures outside Vrndavana town. “This is an ideal place to eat our lunch. Afterward, we can play on the soft, sandy river bank.”

Krsna turned to the sparkling river and glorified its beauty. “See those lotus flowers in the water, their petals opened wide; and smell their fragrance drifting all around us. And listen—nearby in the trees the peacocks are calling out to one another, and their calls are mingling with the songs of other birds and the whispers of the leaves. This is clearly the best place for us to have our lunch. The calves can stay close to us, drink water from the Yamuna, and graze on the tasty grass.”

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The Hands of Man

A man who works with his hands is a laborer.

A man who works with his hands and his brain is a craftsman.

A man who works with his hands and his brain and his heart is an artist.

-Louis Nizer

My wife shared this quote with me she saw on Facebook. I have spent the morning thinking about it and drawing inspiration from it. It has aslo reminded me that the Supreme Artist is God (Krishna). The following is a lecture by His Divine Grace A. C. Bhaktivedanta Swami Prabhupada given at an art gallery in Auckland in 1972

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In the Age of Kali-yuga… There is Still One Good Thing…

We all have our favorite quotes and slokas from the pages of Srila Prabhupada’s books. One of mine is the following:

“My dear King, although Kali-yuga is full of faults, there is still one good quality about this age. It is that simply by chanting the Hare Kṛṣṇa mahā-mantra, one can become free from material bondage and be promoted to the transcendental kingdom.” (Bhāg. 12.3.51)

Srila Prabhupada quotes this partictular verse from the Bhagavatam many times in his lectures, conversations, books etc., for instance:

“In the sastra it is said this Kali-yuga is full of faults, so many faults. It is the ocean of faults. But there is a very nice thing, asti hy eko mahan gunah, a very great quality. What is that? Kirtanad eva krsnasya mukta-sangah param vrajet [SB 12.3.51]. If you simply chant Hare Krishna mantra, then you become perfect. Is it very difficult? Chant Hare Krishna and you become perfect. But we are so unfortunate, we are not even prepared to chant. This is our position. So you have to make little determination that ‘I shall chant henceforward Hare Krishna mantra.’ Then everything is all right.”

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Remembering Krishna

radharani_with_gopis_purva__original 1

click on image to enlarge

This morning as I was reading from the Srimad Bhagavatam, my mind was drawn to the following verse:

The devotees of the Lord are accustomed to licking up the honey available from the lotus feet of the Lord. What is the use of topics which simply waste one’s valuable life? (SB 1.16.6)

Our duration of life is not very long, and there is no certainty of when we shall be ordered to leave everything for the next stage. Thus it is our duty to see that not a moment of our life is wasted in topics which are not related with Lord Kṛṣṇa. Any topic, however pleasant, is not worth hearing if it is devoid of its relation to Kṛṣṇa. (from purport)

Which lead me to remember another very beautiful verse from an earlier chapter entitled “The Passing Away of Bhīṣmadeva in the Presence of Lord Kṛṣṇa”

Let my mind be fixed upon Lord Śrī Kṛṣṇa, whose motions and smiles of love attracted the damsels of Vrajadhāma [the gopīs]. The damsels imitated the characteristic movements of the Lord [after His disappearance from the rāsa dance].

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The transcendental Scent of Kṛṣṇa’s Body

The transcendental Scent of Kṛṣṇa’s Body
excerpted from; Sri Caitanya-caritamrta
Antya-lila 19

…Śrīmatī Rādhārāṇī expressed to Her gopī friends how She hankers for the transcendental scent of Kṛṣṇa’s body. Śrī Caitanya Mahāprabhu recited that same verse and made its meaning clear.

” ‘The scent of Kṛṣṇa’s transcendental body surpasses the aroma of musk and attracts the minds of all women. The eight lotus like parts of His body distribute the fragrance of lotuses mixed with that of camphor. His body is anointed with aromatic substances like musk, camphor, sandalwood and aguru. O My dear friend, that Personality of Godhead, also known as the enchanter of Cupid, always increases the desire of My nostrils.’

“The scent of Kṛṣṇa’s body surpasses the fragrances of musk and the bluish lotus flower. Spreading throughout the fourteen worlds, it attracts everyone and makes the eyes of all women blind.

“My dear friend, the scent of Kṛṣṇa’s body enchants the entire world. It especially enters the nostrils of women and remains seated there. Thus it captures them and forcibly brings them to Kṛṣṇa.

“Kṛṣṇa’s eyes, navel and face, hands and feet are like eight lotus flowers on His body. From those eight lotuses emanates a fragrance like a mixture of camphor and lotus. That is the scent associated with His body.

“When sandalwood pulp with aguru, kuṅkuma and musk is mixed with camphor and spread on Kṛṣṇa’s body, it combines with Kṛṣṇa’s own original bodily perfume and seems to cover it.

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