While My Sitar Gently Weeps

I ran across this on Facebook, and being a George Harrison fan, thought I would share it here. -V

I sat with the Beatles overlooking the Ganges. After chai, everyone left except George and me. Sitting alone with him I felt shy, awkward. George was quiet and intense, but friendly. He was then just a few days away from his twenty-fifth birthday. I told him I loved Norwegian Wood and asked him how long he had played the sitar.


“A little over two years,” he answered. “It was when we made Help. We were filming and there was a sitar around. I was curious and fooled around with it on the set. But, the first time I really listened to sitar music was off a Ravi Shankar album. Later, I met him in London and asked him to teach me. He agreed, but it wasn’t until I came here with Pattie, to Bombay where Ravi lives, and studied with him that I really got deeply into it. And into India and all it has to offer, spiritually and otherwise.”

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A Little History: Bhaktivedanta Manor

Bhaktivedanta Manor in 1974

This is a little History on the purchasing of the Bhaktivedanta Manor in 1973 by George Harrison who was working with Dhananjaya Prabhu to secure a preaching center in Watford, just outside of London England.

Dhananjaya Dasa: By the end of 1972, nothing had happened. Prabhupada wrote to me, “Better to take the upper hand and begin very energetically attempting to get some place. Expending energy for Krishna, that is appreciated and not the actual result of our energy. But if there is lack of energy being devoted for some purpose, then everything will be delayed and possibly stopped. Better to seize the iron while the fire is hot, that my Guru Maharaj used to tell me.”


Prabhupada presumed that the iron was getting a little cold. Then in January of 1973, in a freezing cold, miserable British winter, we got information about a property called Piggot’s Manor in Letchmore Heath, 17 miles from central London. This was the one and only time I didn’t go as a devotee, with a shaved head, dhoti, tilak and kurta, but went disguised with trousers, coat and hat. The previous property George and I had looked at was an amazing health spa outside of the city of Oxford with an indoor heated swimming pool, a beautiful conservatory, saunas and mud baths and more than a hundred acres of land. The asking price was 330,000 pounds. After George saw that property he said, This is a bit rich for you people, isn’t it? You’re supposed to be renunciates. Even I would have a hard time remaining Krishna conscious in this environment.”

Then we got the details on the Manor, which was being sold for 220,000 pounds,10,000 pounds cheaper than the previous property.

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Srila Prabhupada Blessing and Praising George Harrison

 
 
 
 
This is another fine compilation of quotes, in chronological order,  put together by Prabhupada Connection, this time Srila Prabhupada blessing and praising George Harrison.
 
 
“When Bhaktivedanta Manor was donated, Srila Prabhupada said of George, ‘Because he has given shelter to Krishna by providing this temple, Krishna will surely provide shelter for him.’ Just before Srila Prabhupada left this world in 1977, he removed the ring on his right hand and said to the disciples around him, ‘This is for George, give it to him.'”
 
 
 

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Art of Dying

This is a rare demo version of the song.

Art of Dying

Lyrics by George Harrison

There’ll come a time when all of us must leave here
Then nothing sister Mary can do
Will keep me here with you
As nothing in this life that I’ve been trying
Could equal or surpass the art of dying
Do you believe me?

There’ll come a time when all your hopes are fading
When things that seemed so very plain
Become an awful pain
Searching for the truth among the lying
And answered when you’ve learned the art of dying

But you’re still with me
But if you want it
Then you must find it
But when you have it
There’ll be no need for it

There’ll come a time when most of us return here
Brought back by our desire to be
A perfect entity
Living through a million years of crying
Until you’ve realized the Art of Dying
Do you believe me?

George Harrison Interview: Hare Krishna Mantra–There’s Nothing Higher (1982)

George Harrison at peace

George Harrison Interview: Hare Krishna Mantra–There’s Nothing Higher (1982)
This entry is part 3 of 10 in the series The Beatles and Hare Krishna

George: It’s really the same sort of thing as meditation, but I think it has a quicker effect. I mean, even if you put your beads down, you can still say the mantra or sing it without actually keeping track on your beads. One of the main differences between silent meditation and chanting is that silent meditation is rather dependent on concentration, but when you chant, it’s more of a direct connection with God.

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Govinda

The Radha Krsna Temple Album

The verses 30 and 32 from the Brahma-samita are sung in the morning Srngara Arati in all ISKCON temples, while the first track of the 1970 album “Radha Krsna Temple” is played. Srila Prabhupada enjoyed this track very much and was so moved that he said that this track will play at all ISKCON temples for the Srngara Arati. As a result, no one ever leads kirtan for this song, as it is played through that track.

Govinda
The Radha Krsna Temple Album
Sung by Yamuna devi
Produced by George Harrison

venum kvanantam aravinda-dalāyatāksam-
barhāvatamsam asitāmbuda-sundarāngam
kandarpa-koti-kamaniya-viśesa-śobham
govindam ādi-purusam tam aham bhajāmi

veṇum—the flute; kvaṇantam—playing; aravinda-dala—(like) lotus petals; āyata—blooming; akṣam—whose eyes; barha—a peacock’s feather; avataṁsam—whose ornament on the head; asita-ambuda—(tinged with the hue of) blue clouds; sundara—beautiful; aṅgam—whose figure; kandarpa—of Cupids; koṭi—millions; kamanīya—charming; viśeṣa—unique; śobham—whose loveliness; govindam—Govinda; ādi-puruṣam—the original person; tam—Him; aham—I; bhajāmi—worship.

I worship Govinda, the primeval Lord, who is adept in playing on His flute, with blooming eyes like lotus petals with head decked with peacock’s feather, with the figure of beauty tinged with the hue of blue clouds, and His unique loveliness charming millions of Cupids.

angāni yasya sakalendriya-vrtti-manti
paśyanti pānti kalayanti ciram jaganti
ānanda-cinmaya-sad-ujjvala-vigrahasya
govindam ādi-purusam tam aham bhajāmi

aṅgāni—the limbs; yasya—of whom; sakala-indriya—of all the organs; vṛtti-manti—possessing the functions; paśyanti—see; pānti—maintain; kalayanti—manifest; ciram—eternally,; jaganti—the universes; ānanda—bliss; cit—truth; maya—full of; sat—substantiality; ujjvala—full of dazzling splendor; vigrahasya—whose form; govindam—Govinda; ādi-puruṣam—the original person; tam—Him; aham—I; bhajāmi—worship.

I worship Govinda, the primeval Lord, whose transcendental form is full of bliss, truth, substantiality and is thus full of the most dazzling splendor. Each of the limbs of that transcendental figure possesses in Himself, the full-fledged functions of all the organs, and eternally sees, maintains and manifests the infinite universes, both spiritual and mundane.

Apple Records; The Radha Krsna Temple

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