I ran across this on Facebook, and being a George Harrison fan, thought I would share it here. -V
I sat with the Beatles overlooking the Ganges. After chai, everyone left except George and me. Sitting alone with him I felt shy, awkward. George was quiet and intense, but friendly. He was then just a few days away from his twenty-fifth birthday. I told him I loved Norwegian Wood and asked him how long he had played the sitar.
“A little over two years,” he answered. “It was when we made Help. We were filming and there was a sitar around. I was curious and fooled around with it on the set. But, the first time I really listened to sitar music was off a Ravi Shankar album. Later, I met him in London and asked him to teach me. He agreed, but it wasn’t until I came here with Pattie, to Bombay where Ravi lives, and studied with him that I really got deeply into it. And into India and all it has to offer, spiritually and otherwise.”
This is a little History on the purchasing of the Bhaktivedanta Manor in 1973 by George Harrison who was working with Dhananjaya Prabhu to secure a preaching center in Watford, just outside of London England.
Dhananjaya Dasa: By the end of 1972, nothing had happened. Prabhupada wrote to me, “Better to take the upper hand and begin very energetically attempting to get some place. Expending energy for Krishna, that is appreciated and not the actual result of our energy. But if there is lack of energy being devoted for some purpose, then everything will be delayed and possibly stopped. Better to seize the iron while the fire is hot, that my Guru Maharaj used to tell me.”
Prabhupada presumed that the iron was getting a little cold. Then in January of 1973, in a freezing cold, miserable British winter, we got information about a property called Piggot’s Manor in Letchmore Heath, 17 miles from central London. This was the one and only time I didn’t go as a devotee, with a shaved head, dhoti, tilak and kurta, but went disguised with trousers, coat and hat. The previous property George and I had looked at was an amazing health spa outside of the city of Oxford with an indoor heated swimming pool, a beautiful conservatory, saunas and mud baths and more than a hundred acres of land. The asking price was 330,000 pounds. After George saw that property he said, This is a bit rich for you people, isn’t it? You’re supposed to be renunciates. Even I would have a hard time remaining Krishna conscious in this environment.”
Then we got the details on the Manor, which was being sold for 220,000 pounds,10,000 pounds cheaper than the previous property.
There is an interesting story that I wrote about. It took place when”Govinda” first came out, when the recording was first released. I was inEngland, and Yamuna was in England, and we sent this recording to the devotees in Los Angeles to show how we were really preaching big time to the Beatles and had done this record. But the devotees in Los Angeles didnít want Prabhupada to hear this, because they thought it was very strange that a womans voice would be leading the Hare Krishna mantra. And so they didnít let Prabhupada hear it. So, one morning, just before the greeting of the Deities, Prabhupada was sitting on his vyasasana. When the Deity doors open in Los Angeles, there is a big billow of incense smoke from the charcoals. The devotees use a lot of incense, and when they open the doors, it kind of pours out like a big cloud coming out.So, right before this, Prabhupada said, “What about that record that the devotees sent from London?” He had heard about it. So they told him, “It is just Yamuna singing; we don’t want you to hear it.” And they added, “There is no place to play it.” So he said, “Just play it on the system, the speakers.” They said, “Okay” and very reluctantly went and fetched the recording and played it. And it was just at the right time, and the song is about five minutes long. As the Deity doors opened, Prabhupada was sitting on his vyasasana, and he didn’t say a word. He just listened with his eyes closed. And devotees got to see streams of tears coming down his cheeks. And that day Prabhupada ordered that the song be played in all temples all over the world at the time of greeting the Deities.
This is another fine compilation of quotes, in chronological order, put together by Prabhupada Connection, this time Srila Prabhupada blessing and praising George Harrison.
“When Bhaktivedanta Manor was donated, Srila Prabhupada said of George, ‘Because he has given shelter to Krishna by providing this temple, Krishna will surely provide shelter for him.’ Just before Srila Prabhupada left this world in 1977, he removed the ring on his right hand and said to the disciples around him, ‘This is for George, give it to him.'”
There’ll come a time when all of us must leave here Then nothing sister Mary can do Will keep me here with you As nothing in this life that I’ve been trying Could equal or surpass the art of dying Do you believe me?
There’ll come a time when all your hopes are fading When things that seemed so very plain Become an awful pain Searching for the truth among the lying And answered when you’ve learned the art of dying
But you’re still with me But if you want it Then you must find it But when you have it There’ll be no need for it
There’ll come a time when most of us return here Brought back by our desire to be A perfect entity Living through a million years of crying Until you’ve realized the Art of Dying Do you believe me?
Conversations with George Harrison London, England – July 26, 1976
Srila Prabhupada: “Are you reading sometimes my books? Which one?”
George Harrison: “Mainly Krsna.”
Srila Prabhupada: “That is the main book.” [laughs)
George Harrison: “Mukunda gave me the new books, but there’s so much to read.”
Srila Prabhupada: “Philosophy.”
George Harrison: “I don’t know how anybody could have written it, it’s is difficult to read all that amount”
Srila Prabhupada: “Sometimes, they are surprised how one man can write so many books, but it is Krsna’ s grace. Otherwise, not possible. Human being, it is not possible.”
George Harrison Interview: Hare Krishna Mantra–There’s Nothing Higher (1982)
This entry is part 3 of 10 in the series The Beatles and Hare Krishna
George: It’s really the same sort of thing as meditation, but I think it has a quicker effect. I mean, even if you put your beads down, you can still say the mantra or sing it without actually keeping track on your beads. One of the main differences between silent meditation and chanting is that silent meditation is rather dependent on concentration, but when you chant, it’s more of a direct connection with God.
The verses 30 and 32 from the Brahma-samita are sung in the morning Srngara Arati in all ISKCON temples, while the first track of the 1970 album “Radha Krsna Temple” is played. Srila Prabhupada enjoyed this track very much and was so moved that he said that this track will play at all ISKCON temples for the Srngara Arati. As a result, no one ever leads kirtan for this song, as it is played through that track.
Govinda
The Radha Krsna Temple Album
Sung by Yamuna devi
Produced by George Harrison
veṇum—the flute; kvaṇantam—playing; aravinda-dala—(like) lotus petals; āyata—blooming; akṣam—whose eyes; barha—a peacock’s feather; avataṁsam—whose ornament on the head; asita-ambuda—(tinged with the hue of) blue clouds; sundara—beautiful; aṅgam—whose figure; kandarpa—of Cupids; koṭi—millions; kamanīya—charming; viśeṣa—unique; śobham—whose loveliness; govindam—Govinda; ādi-puruṣam—the original person; tam—Him; aham—I; bhajāmi—worship.
I worship Govinda, the primeval Lord, who is adept in playing on His flute, with blooming eyes like lotus petals with head decked with peacock’s feather, with the figure of beauty tinged with the hue of blue clouds, and His unique loveliness charming millions of Cupids.
aṅgāni—the limbs; yasya—of whom; sakala-indriya—of all the organs; vṛtti-manti—possessing the functions; paśyanti—see; pānti—maintain; kalayanti—manifest; ciram—eternally,; jaganti—the universes; ānanda—bliss; cit—truth; maya—full of; sat—substantiality; ujjvala—full of dazzling splendor; vigrahasya—whose form; govindam—Govinda; ādi-puruṣam—the original person; tam—Him; aham—I; bhajāmi—worship.
I worship Govinda, the primeval Lord, whose transcendental form is full of bliss, truth, substantiality and is thus full of the most dazzling splendor. Each of the limbs of that transcendental figure possesses in Himself, the full-fledged functions of all the organs, and eternally sees, maintains and manifests the infinite universes, both spiritual and mundane.
